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Already at the beginning of World War I, Frans Masereel, a Fleming born in 1889, was “attacking the lies of every nation, hauling them over the coals of his ...

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Born in Uvalde, Texas, she had a tumultuous early life. She was born in 1912 to T. Hillman Smith and Bettie Sue Wood, and was named Lucille Wood Smith at birth; the name was changed to Frances Octavia Smith while she was still an infant.
At age 14, she eloped with her first husband, Thomas F. Fox, to whom she bore one son, Thomas F. Fox, Jr., when she was 15. A year later, she found herself in Memphis, Tennessee, a single parent, pursuing a career in music. She landed a job with local radio stations (WMC and WREC), singing and playing piano.Divorced in 1929, she took the name Dale Evans in the early 1930s to promote her singing career.^[1]
She married Roy Rogers on December 31, 1947 in Davis, Oklahoma on the Flying L Ranch where they had earlier filmed the movie Home in Oklahoma.

After beginning her career singing at the radio station where she was employed as a secretary, Evans had a productive career as a jazz, swing, and big band singer that led to a screen test and contract with 20th Century Fox studios. She gained exposure on radio as the featured singer for a time on the Edgar Bergen/Charlie McCarthy show. During her time at 20th Century Fox, the studio promoted her as the unmarried supporter of her teenage "brother" Tommy (actually her son Tom Fox, Jr.). This deception continued through her divorce from Butts in 1946, and her development as a cowgirl co-star to Roy Rogers at Republic Studios 

 In her exhibit at the National Cowgirl Museum and Hall of Fame in Fort Worth, Dale Evans is quoted as follows:

'Cowgirl' is an attitude really. A pioneer spirit, a special American brand of courage. The cowgirl faces life head-on, lives by her own lights, and makes no excuses. Cowgirls take stands; they speak up. They defend things they hold dear.^[8]




 

EGEBAK, NIELS:
Beckett Palimpsest. Et bidrag til skriftens fænomenologi - en semiologisk analyse.Arena 1969. 180 sider. Halvfablea Meget fint eksemplar Nydelig privat indbinding. 3 tal med kuglepen på forsatsblad. Ellers meget fin. Originalt for- og bagomslag medindbundet. Ulæst. Der er her tale om et videnskabeligt værk, antaget til forsvar på l´Eole Pratique des Hautes Etudes i Paris. Værket beskæftiger sig udelukkende med Samuel Becketts forfatterskab eller rettere med det Niels Egebak kalder ''Becketts franske suite''.

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