Smukke digterdrenge

Fine oplæsninger, ved Henrik S. Holck  Carsten Jensen (! - Blicher!), Adam Drewes og Lea Løppenthins garderhøje, malmrøstede musikerven, til Donna Wood-arrangementet torsdag aften på Forfatterskolen (inden alt blev Mette Høeg), men sentimental som jeg er, i hvert fald når det gælder poesi og poeter, blev jeg decideret rørt og GREBET af ikke en oplæsning, men en 3 minutter kort smalfilm, som Holck afspillede på sin computer (og som han ALDRIG lægger på YouTube), hvor 16-17-årige Holck i 1977-78 filmer sine medelever på Poul Borums (dengang uformelle) forfatterskole og med-1978-Borgen-debutanter (Jac var undergrundsdebuteret 1976 på Jorinde & Joringel) 22-23-årige F.P. Jac og 19-20-årige Michael Strunge pjatte rundt og skabe sig og afprøve digterpositurer, Strunge har et længere show med at spise et æble (se billede nedenfor), og de er bare så utroligt søde og smukke og unge og håbefulde, hele verden og hele poesien har de foran sig, og det er ikke til at bære, at de ikke er her mere, snøft og decideret HULK!



- snapshot af projiceret digitaliseret smalfilm ved Christian Yde Frostholm

Onsdag aftens yndlingsfortolkninger

Christel Wiinblad, der reciterede første del af Palle Sigssgaards Glitrende støv danser med ivrig og nervøs morskab (og ondt i i stilletterne)



Lars Skinnebach, der nænsomt og henført SANG - hvor meget? - halvandet ark af Glenn Christians Det sorte ved munden

 

(hvis jeg engang kunne TVINGE Skinnebach til at læse nogle af MINE digte op, tror jeg, at selv jeg ville kunne gå ind for dem, de minutter)

så vi hørte originalerne påny, nej, pånyheden originalt.

(fotos ved Martin Glaz at ringside)

Donna it is - Hey Wood!

Verdens bedste Stein-stammer

er og bliver Martin Glaz Serup i går til Donna Wood, der PRÆGTIGT, så min egen indre showdæmon blev snotgrøn af misundelse, oplæste den danske oversættelse af Gertrude Steins "Love Story" As A Wife Has a Cow, som jeg ikke kan finde på min fraværende reol, men på nettet har jeg fundet den engelske original med GUL sats, som jeg ikke ved om jeg skal bevare, hvis det overhovedet følger med i indklipningen, det gjorde det så ikke:

Nearly all of it to be as a wife has a cow, a love story. All of it to be as a wife has a cow, all of it to be as a wife has a cow, a love story. As to be all of it as to be a wife as a wife has a cow, a love story, all of it as to be all of it as a wife all of it as to be as a wife has a cow a love story, all of it to be as a wife has a cow as a wife has a cow a love story. Has made, as it has made as it has made, has made has to be as a wife has a cow, a love story. Has made as to be as a wife has a cow a love story. As a wife has a cow, as a wife has a cow, a love story. Has to be as a wife has a cow a love story. Has made as to be as a wife has a cow a love story. When he can, and for that when he can, for that. When he can and for that when he can. For that. When he can. For that when he can. For that. And when he can and for that. Or that and when he can. For that and when he can. And to in six and another. And to and in and six and another. And to and in and six and another. And to in six and and to and in and six and another. And to and in and six and another. And to and six and in and another and and to and six and another and and to and in and six and and to and six and in and another. In came in there, came in there come out of there. In came in come out of there. Come out there in came in there. Come out of there and in and come out of there. Came in there, come out of there. Feeling or for it, as feeling or for it, came in or come in, or come out of there or feeling as feeling or feeling as for it. As a wife has a cow. Came in and come out. As a wife has a cow a love story. As a love story, as a wife has a cow, a love story. Not and now, now and not, not and now, by and by not and now, as not, as soon as not not and now, now as soon now now as soon, now as soon as soon as now. Just as soon just now just now just as soon just as soon as now. Just as soon as now. And in that, as and in that, in that and and in that, so that, so that and in that, and in that and so that and as for that and as for that and that.In that. In that and and for that as for that and in that. Just as soon and in that. In that as that and just as soon. Just as soon as that. Even now, now and even now and now and even now. Not as even now, therefor, even now and therefor, therefor and even now and even now and therefor even now. So not to and moreover and even now and therefor and moreover and even now and so and even now and therefor even now. Do they as they do so. And do they do so. We feel we feel. We feel or if we feel if we feel or if we feel. We feel or if we feel. As it is made made a day made a day or two made a day, as it is made a day or two, as it is made a day. Made a day. Made a day. Not away a day. By day. As it is made a day. On the fifteenth day of October as they say, said anyway, what is it as they expect, as they expect it or as they expected it, as they expect it and as they expected it, expect it or for it, expected it and it is expected of it. As they say said anyway. What is it as they expect for itwhat is it and it is as they expect of it. What is it. What is it the fifteenth of October as they say as they expect or as they expected as they excpect for it. What is it as they say the fifteenth of October as they say and as expected of it, the fifteenth of October as they say, what is it as expected of it. What is it and the fifteenth of October as they say and expected of it. And prepare and prepare so prepare to prepare and prepare to prepare and prepare so as to prepare, so to prepare and prepare to prepare to prepare for and to prepare for it to prepare, to prepare for it, in preparation, as preparation in preparation by preparation. They will be too busy afterwards to prepare. As preparation prepare, to prepare, as to preparation and to prepare. Out there. Have it as having having it as happening, happening to have it as having, having to have it as happening. Happening and have it as happening and having it happen as happening and having to have it happen as happening, and my wife has a cow as now, my wife having a cow as now, my wife having a cow as now and having a cow as now and having a cow and having a cow now, my wife has a cow and now. My wife has a cow.

Verdens bedste århusiansk

fordi det er drevent på en ivrig og speedet, men stadigvæk vedkendt og stolt facon, er og bliver den unge forfatter Stine Pilgaards århusiansk, som demonstreret først ved Forfatterskolens jule-tamtam forleden, hvor hun oplæste brandgode, nye tekster om ikke mindst bryster og asiat-mobning på VERDENS BEDSTE ÅRHUSIANSK og derpå til Donna Wood-aften i går på Brooklyn i Nyhavn, hvor hun oplæste tekster fra Martin Larsens Hvis jeg var kunstner, der mærkeligt nok lød PERFEKT på VERDENS BEDSTE ÅRHUSIANSK, måske fordi kunstnerskinsygen og -satiren og -(værk)fantasien kom til at lyde så perfekt - og nu skal jeg passe på, så jeg siger ikke uskyldig eller renfærdig, men okay, det her er værre - JOVIAL, men på en COOL måde, på en COOL COOL måde, hvilket ellers ikke burde kunne lade sig gøre, at være cool jovial eller jovialt cool, men det kan det altså på VERDENS BEDSTE ÅRHUSIANSK, som er og bliver Stines.

Leth læste La Cour! SUT Otto!

til Donna Wood på Brooklyn i aftes! Søren Ulrik Thomsen medbragte en bunke bøger, Jørgen Leth flere bunker.

Thomsen oplæste Højholt, Aakjær, Aspenström, Kaspar Colling Nielsen, og af Højholt den ubetalelige psedo-dokumentariske (SUT mente, oppe ved baren, at den måske nok er virkelig nok (men hårdt klippet), det tror jeg ikke på, men sikke en omsider FIN uenighed mellem os!), urimeligt rørende minimal-senil-tekst "Otto Jensen", og hvor læste han de punktummer prægnant punket op, uddrag:

Lørdag 18-9 Søndag 19-9
Det. ER. Torsdag -10-9. Freda

Jeg. ER. Nu. 77. År.
Gaar. Alt. Vel. Bliver. Jeg. 78 År.

Fru. Bech. Jeg. ER. Nu. 77. År.
Tak. Kaff. Tor. Kafe.

OTTO. Jensen. 23-12. 1895. Horsens.
Nu. 77. År. Nu. Hvam. Hvilehjem, Stue. 19.

Stue 19 Tak. For. Mad. Fru. Bech.
11.-9. -Fredag

Jeg. Har. Været. Soldat. Værløse. Korporal.
Jeg. ER. 77. År.

Verner. Min. Søn. Typograf. Folkebladet.
Telf. 72-45-00

Lørdag - 11.9.1975
Søndag 12

Leth oplæste (bl.a., muligt jeg ikke husker det meget alt) Frank Jæger (medsamt brev fra den unge Jæger til gymnasiasten Jørgen), Erik Knudsen, T.S. Eliot, Rilke, Garcia Lorca, Peter Laugesen (evergreenen "Ingen kan gå alene" - som en Bryan Ferry-fortolkning af en Dylan-sang) og gudhjælpeme Paul La Cour (ikke fragmenter dog og heldigvis, men det store digt om (kan det passe?) Invalide-gaden i Paris), som han fandeme læste relevant!

Olivia Nordenhof oplæste akut dirrende en nyskrevet, dynamisk vrængende tekst af Naja Vucina.

Cecilie Lind oplæste en lang passage fra F.P. Jacs Misfat i ét søvngængersikkert, svimmel-solidarisk åndedrag.

Hvornår er der næste gang Donna Wood? I aften ?

Og så af sted til Brooklyn

i Toldbodgade, hvor visse digtere læser andre uvisse digtere op under navnet Donna Wood, hvilket jeg visselig glæder mig umådeligt til, og især glæder jeg mig til 1 viis digter, der rimer på sind, der oplæser 1 2. særlig digter, som jeg har en stærkt mistanke om hvem er, og som måske faktisk rimer på tak, for det siger jeg på forhånd, jeg har altid drømt at eje en baghånd.