Viser opslag med etiketten cirkusmetaforik. Vis alle opslag
Viser opslag med etiketten cirkusmetaforik. Vis alle opslag

torsdag den 3. september 2020

Cecilies cirkus

dette digt i debutbogen Ulven åd min eyeliner:

Her overvurderer en klovn sin næse

manegemassakre i to
øjeblikke gynger
linen nægter at
synge om
konfettikreationer på
catwalks ond
latter lyser op
i
hovedet på ham et
pejlemærke

(og cirkus nævnes sørme også i dette det første digt:

Her tager noget sin begyndelse

afbrudt af savl udsættes
akten indtil
nu hører du
op
sat på spidsen æder alle
krystal
er
intet i sammenligning med
det cirkussøgte
udgangspunkt)




søndag den 30. august 2020

Laugesens cirkus nu

- der sgu også lige noget cirkus i forbifarten i Peter Laugesens nye, monsterskønne digtsamling Vadehave, som jeg anmeldte i fredagens WA (Tom er TS Eliot, som Laugeses læser biografi om under skrivningen på Fanø):

At gå gennem landskabet klitterne
stranden lang og bred
havbund til smådyr
vraggods fra skibe tasker og lommer
vandet lavt klart varmt
lang ud i himlen blå
Dyrenes små kredse i det enorme hav
lyserøde muslinger i vådt sand
meget lille enhver og havet stort
cirkuslokomotiv på blokvogn på vej fra esbjerg til Scarborough

England der ikke vil slippe stakkels Tom
Tom tavs siger ingenting
Tom ved ikke hvad han skal sige
Tom ødemark trist
til sidst Tom tom

Fødderne i sandet i vandet
fødderne nederst på benene
fødderne en efter en at gå på
og fornemmelsen når alting gynger forbi

Fra toppe af enhver klit
ser jeg det nye bælte den nye revle
og sommerhusene og deres fruer på heste
næsten en western at finde vej
med de mærker man kender i det næsten ens

Vadehave | BogMarkedet

Kochs cirkus

Nu har jeg købt, digitalt, Kenneth Kochs Collected Poems, hvilket jeg tror er en god idé og bare en nødvendighed som sådan, fordi Koch er sådan en god og sjov og klog digter, men ergo kan jeg citere fra hans oprindelige, skæve og renfærdige cirkus-digt, "The Circus", dette er første afsnit (af 12) (min frehævelse (hele cirkusføljetonen startede med Bright Eyes-citat):


We will have to go away, said the girls in the circus,
And never come back anymore. There is not enough of an audience
In this little town. Waiting against the black, blue sky
The big circus charious took them into their entrances
The Light rang out over the hill where the circus wagons dimmed away
Underneath their dresses the circus girls were sweating,
But then, an orange tight sticking to her, one spoke
With blue eyes, she was young and pretty, blonde,

With bright eyes, and she spoke with her mouth open when she sneezed,
Lightly against the backs of the other girls waiting in line
To clock the rope, or come spinning down with her teeth on the line.
And she said the circus might leaveth - and red posters
Stuck to the outside of the wagon, it was beginning to
Rain - she said might leave, but not her heart would ever leave
Not that town but just an one where they har been, risking their lives
And that each place they were shoukd be celebrated by blue rosemary
In a patch in the town. But they laughed and said sentimental
Blonde and she laughed, and they all, circus girls, clinging
To each other, as the circus wagons rushed through the night.





søndag den 23. august 2020

(Kochs cirkus)

Man kan finde et langt, skønt digt af (ligesom Silverstein amerikanske) Kenneth Kock om at skrive et digt ved navn "The Cirkus",, men man kan ikke finde selve digtet "The Circus" (hvis man ikke har hans samlede digte, hvilket man selvfølgelig burde) - digtet om digtet begynder sådan her (forsættelsen kan læses HER):

I remember when I wrote The Circus
I was living in Paris, or rather we were living in Paris
Janice, Frank was alive, the Whitney Museum
Was still on 8th Street, or was it still something else?
Fernand Léger lived in our building
Well it wasn’t really our building it was the building we lived in
Next to a Grand Guignol troupe who made a lot of noise
So that one day I yelled through a hole in the wall
Of our apartment I don’t know why there was a hole there
Shut up! And the voice came back to me saying something
I don’t know what. Once I saw Léger walk out of the building
I think. Stanley Kunitz came to dinner. I wrote The Circus
In two tries, the first getting most of the first stanza;
That fall I also wrote an opera libretto called Louisa or Matilda.
Jean-Claude came to dinner. He said (about “cocktail sauce”)
It should be good on something but not on these (oysters).
By that time I think I had already written The Circus
When I came back, having been annoyed to have to go
I forget what I went there about
You were back in the apartment what a dump actually we liked it
I think with your hair and your writing and the pans
Moving strummingly about the kitchen and I wrote The Circus
It was a summer night no it was an autumn one summer when
I remember it but actually no autumn that black dusk toward the post office
And I wrote many other poems then but The Circus was the best
Maybe not by far the best Geography was also wonderful
And the Airplane Betty poems (inspired by you) but The Circus was the best.

Sometimes I feel I actually am the person
Who did this, who wrote that, including that poem The Circus
But sometimes on the other hand I don’t.
There are so many factors engaging our attention!
At every moment the happiness of others, the health of those we know and our own!
And the millions upon millions of people we don’t know and their well-being to think about
So it seems strange I found time to write The Circus
And even spent two evenings on it, and that I have also the time
To remember that I did it, and remember you and me then, and write this poem about it
At the beginning of The Circus
The Circus girls are rushing through the night
In the circus wagons and tulips and other flowers will be picked
A long time from now this poem wants to get off on its own
Someplace like a painting not held to a depiction of composing The Circus.

Calders cirkus


Silversteins klovnedigt

(fra søgning på "circus poems", man skulle tro, der var flere - og er der virkelig ingen store, moderne digtere, der har skrevet digte om Alexander Calders skulptur/performance "the circus"?)

Cloony The Clown

 I'll tell you the story of Cloony the Clown
Who worked in a circus that came through town.

His shoes were too big and his hat was too small,
But he just wasn't, just wasn't funny at all.

He had a trombone to play loud silly tunes,
He had a green dog and a thousand balloons.

He was floppy and sloppy and skinny and tall,
But he just wasn't, just wasn't funny at all.

And every time he did a trick,
Everyone felt a little sick.

And every time he told a joke,
Folks sighed as if their hearts were broke.

And every time he lost a shoe,
Everyone looked awfully blue.

And every time he stood on his head,
Everyone screamed, "Go back to bed!"
And every time he made a leap,
Everybody fell asleep.

And every time he ate his tie,
Everyone began to cry.

And Cloony could not make any money
Simply because he was not funny.

One day he said, "I'll tell this town
How it feels to be an unfunny clown.
"
And he told them all why he looked so sad,
And he told them all why he felt so bad.

He told of Pain and Rain and Cold,
He told of Darkness in his soul,
And after he finished his tale of woe,
Did everyone cry? Oh no, no, no,
They laughed until they shook the trees
With "Hah-Hah-Hahs" and "Hee-Hee-Hees.
"
They laughed with howls and yowls and shrieks,
They laughed all day, they laughed all week,
They laughed until they had a fit,
They laughed until their jackets split.

The laughter spread for miles around
To every city, every town,
Over mountains, 'cross the sea,
From Saint Tropez to Mun San Nee.

And soon the whole world rang with laughter,
Lasting till forever after,
While Cloony stood in the circus tent,
With his head drooped low and his shoulders bent.

And he said,"THAT IS NOT WHAT I MEANT -
I'M FUNNY JUST BY ACCIDENT.
"
And while the world laughed outside.

Cloony the Clown sat down and cried.

fredag den 21. august 2020

Suedes cirkusmetafor

- fra "Pantomime Horses", lettere obskur henvisning, men hørte den pludselig!:

Verse 2]
I was conned by a circus hand
Tragic as the son of a superman
"I would die for the stars," she said
This is what I get for my beautiful head

[Chorus]
Well, did you ever?
Did you ever go round with them?
Well, did you ever?
Did you ever go round the bend?

Well, did you ever?
Did you ever go round with them?
Well, did you ever?
Did you ever go round the bend?


[Bridge / Outro]
Ever tried it that way?
Have you ever tried it that way?
Have you ever tried it that way?

(WIKI: A pantomime horse is a theatrical representation of a horse or other quadruped by two actors in a single costume who cooperate and synchronize their movements.)

Obamas cirkusmetafor

- fra hans tale til DNC i forgårs:

"Look, I understand why many Americans are down on government. The way the rules have been set up and abused in Congress make it easy for special interests to stop progress. Believe me, I know. I understand why a white factory worker who's seen his wages cut or his job shipped overseas might feel like the government no longer looks out for him, and why a Black mother might feel like it never looked out for her at all. I understand why a new immigrant might look around this country and wonder whether there's still a place for him here; why a young person might look at politics right now, the circus of it all, the meanness and the lies and crazy conspiracy theories and think, what's the point?"

søndag den 9. august 2020

Lous cirkusmetafor

And all your two-bit friends
Have gone and ripped you off
They're talking behind your back saying, man
You're never going to be no human being
And you start thinking again
'bout all those things that you've done
And who it was and what it was
And all the different things you made every different scene

Ahhh, but remember that the city is a funny place
Something like a circus or a sewer
And just remember different people have peculiar tastes
And the -

- Glory of love, the glory of love
The glory of love, might see you through

- fra "Coney island Baby" jo! 

fredag den 7. august 2020

Cirkusmetaforik II

Og så bliver jeg nødt til at røbe, at jeg hører den nye Taylor Swift, for hun cirkus-metaforiserer sgu sørme også (sig selv og sin performativitet), i sangen "MIrroball":

And they called off the circus, burned the disco down
When they sent home the horses and the rodeo clowns
I'm still on that tightrope
I'm still trying everything to get you laughing at me
And I'm still a believer, but I don't know why
I've never been a natural, all I do is try, try, try
I'm still on that trapeze
I'm still trying everything to keep you looking at me

onsdag den 29. juli 2020

Cirkuspoesi specifikt

- fra Henning Mortensen hæfte Cirkusdigte, 1972, udgivet på den til formålet oprettede Jorinde & Joringel-sidevogn OWPOX & FJERBOLDT (loitering phantoms of J&J)

(motto:

cirklen det er det
folkelige: cirkus
fællesskab mellem
aktive og passive,
spidsens avntgarde
krigens fortropper
hvilken elendighed
voksende uden bagkrop
ind i mørket ingen
ved hvorhen)

KLOVN I

Børn kan ikk elide
den hvide klovn
den elegante
borgerlige
snobbede
selvtilstrækkelige
bremse på de "rigtige klovner"

Mine egne børn
gør ofte deres bedste
for at vække dem til live
bag mit hvidsminkede fjæs

- fra Peter Laugesens hæfte Footiti & Chocolat, udgivet til/på udstillingen Cirkus Kunstindustrimuseet, 1978, på lyserødt papir - hvis digteren er OK med det afskriver jeg gerne hele den sjældne, knæk-bevægende digt-fortælling - første side:

Footit og Chocolat
var klovner i cirkus i Paris
Cirkushistorien ser Footit som skaber af nummeret
og en stor del af historien må man gætte sig til
Chocolats historie er for tavs
og Footits for talende
Raphael Chocolat fra Habana
havde aldrig kendt sine forældre
Han vidste aldrig hvor gammel han var
Geo Footits far var cirkusdirektør i Manchester
og i julepantomimerne var han Funny Footit
i Drur Lane
Geo Footit blev født den 24. april 1864
Hans far havde en paryk af hamp med tre fletninger
han havde røde kommaer på inderne
og malede sorte tårer under øjnene
Han blev direktør for Footit Allied Circus
og døde
Hans mor giftede sig med cirkussets nye ejer
den kendte kunstrytter Thomas Batty
Raphael Chocolat voksede op hos en stor
og stærk negerkvinde
Med hende rejste han til Bilbao
hvor Senor Castanio som ejede hende
havde vigtige ting at gøre
Her blev han personlig tjener
for Senor Cavallos mor Castania
for senor Castanios mor
og det blev han træt af
for han kunne ikke tåle
at skulle rette sig altid
efter de ordrer han fik

- Foto af Footit og Chocolat:

File:Footit and Chocolat.jpg - Wikimedia Commons

- fra Erik Trigger (og Signe Kjærs) billedbog Cirkus Svimmel, 2014:

Direktøren for Cirkus Svimmel
fødtes i den syvende himmel
Her voksed han op på en uge
i en dobbelt salto med skrue.

Cirkus Svimmels husorkester
ledes af en eks-borgmester
på et valdhorn af bonevoks
og en ret rusten rytmeboks.

Se sabelkatten Sukkermis
har fået et fint og nyt gebis,
fordi hun har glemt at børste
ordentligt nok på det første.

fredag den 24. juli 2020

Cirkusmetaforik!

Er sjælden, men bør bifaldes, når den kvalificeret foreligger (Laugesen har været inde over, men ellers er det vist primært Henning Mortensen der har excelleret dér i dansk poesi). Som her i Bright Eyes' nye sang, "Marian Trench", som jeg ikke kan få ud af hovedet:

The lion bows his head down
To the ringmaster
With the tightrope stretched so high
Above the crowd
All these faces are contortionists
It must have hurt
Because they all looked as unhappy
As a clown